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Meghan and Harry’s New Netflix Project: Bad Manners
In the latest news from the United States, Meghan and Harry are collaborating on an exciting new venture with Netflix called Bad Manners.
This project aims to revive their declining fortunes, according to various sources.
The couple intends to explore the Victorian world of Charles Dickens by creating a prequel to his renowned novel, Great Expectations, with a feminist twist set in Mississippi.
Upon hearing this news, one cannot help but chuckle at the irony of their high expectations.
Despite receiving a substantial sum of money, their commitment to producing quality content seems questionable.
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Nonetheless, a second installment for the series has already been ordered.
Amidst all this, one cannot ignore the irony of Meghan and Harry’s newfound interest in good manners.
Perhaps they should consider revisiting the concept themselves before lecturing others on the subject.
Their past actions, filled with lies and bitterness towards the royal family, showcase a lack of integrity and contradict their supposed advocacy for proper conduct.
It appears that Meghan and Harry want to discuss bad manners while simultaneously engaging in behaviors they discourage, such as flying in private jets.
Their “do as I say, not as I do” approach raises doubts about the success of their latest endeavor.
Even Bird on Dickens, a renowned authority on the subject, expressed skepticism about the couple’s plan, suggesting that it may be more voyeuristic than a feminist hit.
Dr. Emily Bell, an English teacher and editor of the prestigious Dickensian journal, questions Meghan and Harry’s literary knowledge and skills.
She believes they lack originality and doubts whether they have even read Great Expectations, let alone understood its depth.
Dr. Bell further asserts that success requires hard work, a trait seemingly absent in the couple’s extravagant travels and constant search for ideas online.
The prospect of a Great Expectations prequel raises concerns among literary enthusiasts.
Keira Knightley’s portrayal of Elizabeth Bennet in Pride and Prejudice is cited as an example of how attempting to impose a 21st-century perspective on classic works can be a disservice to their original intent.
Meghan and Harry’s belief that they can improve upon Charles Dickens’ masterpiece reflects their inflated egos and lack of significant achievements.
Moreover, those familiar with Dickens’ writing know that his characters were intentionally one-dimensional, representing specific societal issues or class differences.
Attempting to create backstories for these characters goes against the essence of Dickens’ storytelling.
The couple’s desperation to remain relevant becomes increasingly embarrassing, especially considering their mean-spirited and vindictive behavior.
Criticism and potential project failures may lead Meghan and Harry to seek public funds in the UK, which would be unfair to the royal family and the British public.
It is clear that Meghan’s expectations of a life of fame and fortune without putting in any work have been grossly overestimated.
Her lack of originality and dependence on the ideas of others is evident, raising questions about the value of Netflix’s investment in their projects.
While talented individuals struggle to make a name for themselves, Meghan and Harry continue to profit despite their lack of education, work history, experience, and skills.
The consequences of Netflix’s decision to collaborate with them may result in a significant drop in share value.
It remains to be seen whether the couple can deliver compelling content, as they have consistently demonstrated a lack of talent and a reluctance to put in the required effort.
In the end, it is essential to consider the impact of Meghan and Harry’s actions beyond their personal gain.
Their self-centeredness blinds them to the struggles faced by many people in society.
It is disappointing that Netflix and other platforms support their endeavors without recognizing the potential harm caused by their misguided projects.
As for myself, I have no intention of engaging with any of Meghan and Harry’s future ventures.
Their track record, including their ill-conceived Archewell series and Meghan’s controversial actions, has left a sour taste.
I refuse to be a part of their narrative, and I hope Netflix is wise enough not to associate themselves with this misguided project.
Meghan and Harry’s lack of talent and unwillingness to put in the necessary work have been evident time and time again.
It is high time for them to face the consequences of their actions and for platforms like Netflix to reconsider their support.
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