Netflix is grappling with mounting difficulties as the production of Prince Harry and Meghan Markle’s polo documentary encounters serious logistical challenges.

Initially set for a November release, the timeline is now looking increasingly precarious.

According to reports from the Royal Rogue, while the documentary is still in progress, the behind-the-scenes chaos is palpable.

Harry was expected to be the linchpin of this project, but that requires him to travel extensively, meeting various polo stars across different countries.

However, Meghan’s reluctance to let him embark on these trips alone adds layers of complexity.

The couple’s children won’t be accompanying them, which complicates matters even further.

Sure, they could bring the kids along since they’re still quite young, but Meghan seems to prefer making things more convoluted than they need to be.

This dynamic isn’t uncommon; it often feels like Meghan’s influence complicates their professional endeavors.

The success of the polo documentary hinges on the coordination of multiple production companies, many of which are already stretched thin with various commitments, including those tied to their own Archwell Productions.

Speaking of Archwell, it’s not without its own troubles.

The halt of their cooking show has put additional pressure on the couple, further complicating their Netflix deal.

Reports indicate that Netflix CEO is seething, viewing the Sussexes’ arrangement as one of the most disastrous in the company’s history.

In a bid to assess public interest, Netflix may resort to releasing a teaser using footage from the pilot episode.

The entertainment landscape is currently tumultuous, presenting a challenging environment for Harry and Meghan as they try to carve out their niche in production.

Unlike industry giants such as Tyler Perry, who can manage tight budgets and take calculated risks, the Sussexes lack the necessary influence and financial backing to navigate these waters effectively.

Their network of allies has also dwindled significantly over the past three years.

One of the most controversial moves was accepting the Pat Tillman award, heavily influenced by Serena Williams, which backfired spectacularly.

This choice cast Serena’s documentary project in a negative light, painting it as self-indulgent while she juggles her other business interests.

Harry’s decision to accept the award at Serena’s urging has proven to be a strategic blunder.

As Meghan’s birthday approaches, there’s buzz that new photos of their children may emerge, a tactic she often employs to generate media attention.

However, her circle of connections has shrunk considerably, leaving Harry’s better-up affiliations as their primary support system.

The crux of the issue appears to be Meghan’s substantial influence over Harry’s projects, often overshadowing his individual contributions.

Interestingly, Harry seems to thrive more when he operates independently from Meghan.

Observations suggest that his enthusiasm for his work diminishes when she’s heavily involved.

Many commentators believe that for Harry to find success, he might need to create some distance from Meghan’s dominating presence.

The polo documentary, aimed at a niche audience, risks being eclipsed by Meghan’s desire to take center stage.

This tendency has been evident in previous events, such as the Invictus Games, where Meghan’s presence often overshadowed the occasion itself.

Her inclination to make every project revolve around her detracts from Harry’s attempts to establish his own identity.

Timing has consistently been an issue for the couple, with each of their ventures appearing poorly timed, further undermining their goals.

Take their current predicament, for instance.