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Colin Farrell’s large PEN!S was ‘too distracting’ on set

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Colin Farrell’s large PEN!S was ‘too distracting’ on set

Colin Farrell’s latest film, A Home at the End of the World, will be released without the n^de scenes featuring the actor’s p-nis.

The decision was made after test screenings of the movie revealed that his full-frontal shots were proving too distracting for audiences.

A source told The Sun, “All you could hear were gasps when Colin appeared in his full-frontal pose.

The women were over-excited and the men looked really uncomfortable.

It was such a sight it made it difficult to concentrate on the plot, so the decision was made to get rid of it.”

The film, which tells the story of a bisexual man in a love triangle, was directed by Michael Mayer, who called the actor’s manhood “distracting”.

Farrell has reportedly expressed his disappointment about the decision and has demanded that the scenes be included when the film is released on DVD.

The Irish actor has not shied away from appearing n^de in his films in the past.

In 2004, he appeared n^ked in the film Alexander, in which he played the titular role.

However, it seems that his latest film has pushed the boundaries too far for some of the audience members.

Farrell’s co-star in A Home at the End of the World, Robin Wright, has previously praised the Irish actor’s acting skills.

She said, “Colin has a beautiful soul and is a really good actor.

“I think he’s got a lot of talent and is going to go further and further.”

The film was adapted from a novel of the same name by Michael Cunningham.

The book was a bestseller when it was first published in 1990 and was later adapted into a play.

Farrell has a number of films lined up for release in the coming months, including Tim Burton’s Dumbo and Guy Ritchie’s Toff Guys.

He has also been cast in Matt Reeves’ upcoming Batman movie, in which he will play the villainous Penguin.

The Irish actor is known for his versatility as an actor, having starred in a wide range of films, from action-adventure epics such as Minority Report and Miami Vice, to smaller independent projects like In Bruges and The Lobster.

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